Site-specific installation with sculpture, video and poem projection. 2018
In collaboration with Mette Borup Kristensen and Maria Michailidou
Sculptures of plaster, textile and fragments of building materials. Two video projections. 1:1 fictive temple floor plan 50 x 20 m of paper. Poem projection by writer Helene Johanne Christensen.
The exhibition examines cultural exchanges, overlaps and mergers – material and immaterial, and it plays with the perception of what is original, recycled and copied, and how the view and value of a material changes from time to time.
Kunsthal ved siden af, Svendborg

Extend over so as to cover partly
- Installation view. Kunsthal ved siden af, Svendborg. 2018

Extend over so as to cover partly
- Detail (sculpture). Kunsthal ved siden af, Svendborg. 2018

Extend over so as to cover partly
- Installation view. Kunsthal ved siden af, Svendborg. 2018

Extend over so as to cover partly
- Installation view. Kunsthal ved siden af, Svendborg. 2018

Extend over so as to cover partly
- Detail (poem by Helene Johanne Christensen). Kunsthal ved siden af, Svendborg. 2018

Extend over so as to cover partly
- Detail (sculpture). Kunsthal ved siden af, Svendborg. 2018

Extend over so as to cover partly
- Installation view. Kunsthal ved siden af, Svendborg. 2018

Extend over so as to cover partly
- Detail (sculpture). Kunsthal ved siden af, Svendborg. 2018

Extend over so as to cover partly
- Detail (sculpture). Kunsthal ved siden af, Svendborg. 2018
The sculptures both relate to the temple floor plan on top of the concrete floor as a reminder of something absent, something that has been, but no longer is, and to the existing column structure of the space, which is the premise and reality at this moment. Some sculptures are positioned to mimic a classic display of antique sculptures in a museum, while others break with that order and occupy the space casually. The video projections work as an immaterial layer. They show a mountain landscape and a marble block influenced by light and distance. The poems are made in dialogue with the physical works of the exhibition. Words and materials partly overlap. The poems provide a way through words into the matter.